There have been many horror writers that have been important to the genre, but few have had the outsized impact of the one and only Chas. Balun. Whether it was his work in Fangoria, Gorezone, or his own magazine Deep Red, even if you didn’t see his name at the head of the article, you knew it was him within a few sentences, by either by the tone of the writing, or maybe the films he was covering. Chas’ style was humorous and more than a little confrontational, but he was always waving the flag in support of movies that he felt were important and hadn’t received enough attention. Sure, they tended to be on the gory side, but for Chas. it wasn’t just about the gore.
Not entirely, anyway.
While the three of us knew his work and the impact it had on us personally, for this very special episode, we felt we needed to talk with other folks who were just as impacted by him and also knew him personally. In the second half of the show, you’ll hear from John Szpunar, author of Xeroxferox: The Wild World of the Horror Film Fanzine and Blood Sucking Freak: The Life and Films of the Incredible Joel M. Reed; Art Ettinger, editor at Ultra Violent magazine; and finally, Shawn Lewis, creator of Rotten Cotten and Eibon Press. They all share their own stories of Chas, and we all discuss the profound the impact Chas. had on us and on the horror genre in general. Don’t miss this one!
Films mentioned in this episode:
Continue reading

Joel M. Reed is the man responsible for the notorious grindhouse flick Bloodsucking Freaks (1976), originally titled as The Incredible Torture Show, before Troma re-titled it and released it once again. He also directed a few other titles, such as Night of the Zombies (1981), probably the second most popular of his titles. Now, while I’m not personally a fan of Bloodsucking Freaks, anybody that is able to make a movie like that, and become an icon because of it, in this huge world of cinema, that is pretty impressive. So like it or not, as horror movie fans, we have to get credit where it is due.