This weekend, we’ll be heading back into Chicago for this year’s 24-hours of insanity, known as the Music Box of Horrors. This annual event is one that I look forward to every year and it just keeps getting better and better, as well as more popular than ever. The fact that this year’s marathon sold out before maybe even half of the titles had been announced is just insane! That tells me that the Music Box programmers have not only continued to have a solid lineup each and every year, but that they’ve built up the trust of the fans that will buy their tickets right away, not knowing or caring what the lineup is going to be, because they know it will be worth it. This year is no different.
Of course, we will be set up there in the lounge, pimping our usual wares of horror reference books, urging fans to dive deeper into this wonderful film genre that we all love. Might have some new and interesting titles for you to peruse so make sure you stop by our table and check it out. Or, just to say hello and chat. We love nothing more than talking about horror films!
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Regulars to the Krypt know my love of soundtracks, especially in the horror genre. Back in 2016, J. Blake Fichera put out a book of interviews with different composers that had worked in horror genre, entitled Scored to Death. This was an amazing read because we got to hear from the people behind these incredible scores that we’ve enjoyed while watching the films, sometimes not even aware of the effect it was having on us! Composers tend not to get the attention that actors, directors, or even special effects people get, but Fichera wanted to change that and he did.
Author Troy Howarth, in his free time between all the amazing and informative audio commentaries he’s been cranking out, has finished his newest book, this time focusing on the one and only John Carpenter. Few directors these days can have more than a few titles in their filmography that are considered classics, not to mention damn good films, but Carpenter is definitely one of them.
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