Rear Window: The Making of a Hitchcock Masterpiece in the Hollywood Golden Age
Published by Citadel Press, 2025. 253 pages.
By Jennifer O’Callaghan

I hadn’t expected to read a second book on a Hitchcock film after just finishing Criss-Cross by Stephen Rebello, but since Rear Window is my favorite of the director’s work, and I was already knee-deep in the Hitchcock cinematic world, I figured why not. And just like the Rebello book, there is a ton of information on the making of it. From finding the right writer to tackle adapting the short story by Cornell Woolrich, to getting the studio to foot the bill for an entire neighborhood to be built on a soundstage.  And then there casting as well, along with the design, art direction, and all that other fun stuff that goes into making a classic.

Finding an actor for the lead role would have to be someone that would follow Hitchcock’s direction. When he had worked with Montgomery Cliff in I Confess (1953), the director ran into issues getting him to do what he wanted because Cliff was a method actor, something Hitchcock did not care for. Hitchcock worked in visuals, what the audience was going to see and how that carried the story along. When Cliff didn’t want to do something in particular because “my character wouldn’t do that”, it caused issues with Hitchcock not being able to get the shots he wanted. Hitchcock had said “It’s a movie. You’re an actor. Act.”