Dan Curtis Lives!

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Classic Monsters Modern Art Book

It’s Alive!

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DtH – Episode 65: Universal Monster Rallies

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Book Review: The Karloff Compendium

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Movie Plans for 2024?

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Discover the Horror – Episode 42: Universal Frankensteins

Frankenstein (1931), The Bride of Frankenstein (1935), Son of Frankenstein (1939), and The Ghost of Frankenstein (1942).

Time to go back to the source! The films that started a mythology, created the stereotypes, and taught us everything we were going to need to know about the mad genius that created a “monster” and the innocent, child-like creature that would eventually be known by his creator’s own name. In this episode, we look back at the first four Universal Frankenstein films, before the monster-ramas, when the main point was the creature and his maker. While there is a lot of material to cover in only one episode, we cover as much as we can, trying to show you just how important, entertaining and well-made these films are after close to a century.

Films mentioned during this episode:

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Soundtrack Review: I, Frankenstein

I, Frankenstein
Released by Lakeshore Records, 2014
26 Tracks, with a total running time of 75 min.
Music by Johnny Klimek and Reinhold Heil

Okay, we can all agree that this is not a great movie. In fact, it is about as far away from Shelley as 2015 film Victor Frankenstein, and about as entertaining. But we are here to focus on the soundtrack, because as fans of movie music, we know that sometimes the music can be better than the film itself, and this is a perfect example.

The first word that comes to mind when listening to this score is epic. Right from the Main Title, it had my attention. I’m a sucker for operatic vocals in a score and this one starts out with this haunting voice over the building music. You can feel how big this movie is going to look just by the score. With a story about the title character fighting off demons and gargoyles throughout the running time, you need a big score to accompany it. And you have it here.

Klimek and Heil have created a great score here, one filled with quiet and somber themes, as well as cranking it up to the next level with plenty of pounding percussions, thundering strings, creating enough action in our ears that we can feel it.

While I can’t recommend the movie, which honestly is just damn silly, the score however is well worth seeking out.

Universal Classic Horrors at the Strand Theatre

The Strand Theatre in Shelbyville, IN, has announced this year’s Friday Night Frights schedule and once again, makes me wish I lived closer to the theater! We all know and love the Universal Classic Monsters (or at least we should!) but few fans have had the opportunity to see them in a movie theater on the big screen. Well, if you live near the Indianapolis area, now you have your chance.

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Happy Birthday, Mr. Karloff!

As a young horror fan, Boris Karloff was the first of my horror heroes, and all of these years later, remains my all-time favorite. He was the first one that I knew the name of the person who was behind the monsters that he played. That came from probably his most famous role as the creature in James Whale’s Frankenstein (1931), or possibly because he narrated the Grinch, but I would later learn and appreciate more and more of his roles.

One reason for this was due to Richard Bojarski’s book The Films of Boris Karloff, which I checked out so often from my middle school library that I was told I couldn’t check it out any longer, to apparently give others a chance to check it out. I would page through there, looking at all the different roles that he appeared in, especially the horror ones, and dream of the day when I might be able to stumble across it on TV some Saturday afternoon. Oh, how naïve we were back then, huh?

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