This weekend, we are heading to our last real convention, Monster Bash, which is taking place in Cranberry Township, Pennsylvania. They have a great guest lineup, including Gary Clarke from How to Make a Monster, Kathryn Leigh Scott and Sharon Smyth from the original Dark Shadows series, Barbara Wilson from Blood of Dracula, Invasion of the Animal People aka Terror in the Midnight Sun, and The Flesh Eaters, John Russo from the original Night of the Living Dead, and more. You can get all the info by clicking HERE.
Continue readingTag Archives: Dark Shadows
Monster Bash Approaches
In a little less than 3 weeks, we’ll be heading off to one of our favorite shows, the Monster Bash Conference, taking place from June 20th to the 22nd, in Cranberry Township, PA. While it might be a little smaller than some of the usual shows we attend, there is so much to do and see here, that it is always a great time. They have film screenings from Thursday night all the way through Sunday, going into the wee hours of the night! You’ll get the chance to see some classic horror films, usually screened from16mm prints, including titles like The Vampire’s Ghost (1945), Weird Woman (1943), Murders in the Rue Morgue (1932), the not-to-be-missed Mexican horror/sci-fi spectacular The Ship of Monsters (1960), Lon Chaney’s The Penalty (1920), Night of the Living Dead (1968), Man Made Monster (1941), Abbott & Costello Meet Frankenstein (1948), and Zombies on Broadway (1945)! These are the kind of titles that makes me wish I wasn’t vending, just so I can sit and watch movies all weekend!
Continue readingDtH Episode 73: Pre-Code Horror Comics
In the mid 1950’s an overzealous witch hunt took place in the United States focused on the corrupting effects of comic books on young people, which ended in horror comics being banned from the shelves by a draconian comics code. But why? What did those comics contain that got people so riled up? Well, it depends on who you ask.
WE asked Dr. Dan Yezbick, a comics scholar, and he sparked a lively discussion. If you’re only vaguely aware of this chapter of horror history, strap in, because pre-code horror is one of the more fascinating areas of the history of the genre.
Comics mention in this episode:
Continue readingBob Cobert – Rest in Peace
You couldn’t have been a horror fan that grew up in the late ’60s and early ’70s and not know the music of Bob Cobert. With the amount of work that writer/director/producer Dan Curtis was kicking out during that time, Cobert was right there through almost all of it, creating some incredible and memorable scores. Sadly, we heard the news that Mr. Cobert passed away back on Feb. 19th from pneumonia. He was 95.
My personal favorite has always been the theme he did for The Night Stalker (1972), but there are also so many other great ones, such as Dark Shadows, both the series and the two films. He pretty much worked on almost all of Curtis’ productions, which earned him a Grammy nomination for his composition Quentin’s Theme from Dark Shadows series and a Emmy nomination for his work on Curtis’ epic miniseries War and Remembrance (1988-89).
For a composer to create a theme that is remembered as much a the movie or series itself is a high compliment for any musician. Cobert seemed to do it over and over again. He may have left his planet, but he has left us hours and hours of fantastic music that we can listen to over and over, bringing those images back in our brains again and again.
Our thoughts go out to his friends and family in this difficult time. Rest in Peace, Maestro.
Master of Dark Shadows
You couldn’t grow up watching TV in the ’70s and not know of the work of Dan Curtis. His work had a huge impact on my life, from The Night Stalker (1972), The Norliss Tapes (1973), Trilogy of Terror (1975), and so many other made-for-TV movies. Oh yeah, and there was that series Dark Shadow that you might have heard of. Needless to say, if it was from Curtis, you know it was going to be worth your time. And now, thanks to director David Gregory, we’re going to have a chance to learn a little bit more about this amazing man.
Set to be released next month, this feature length documentary covers Curtis and his work, hearing from a ton of people that worked with him and were fans of his work, such as Ben Cross, Roger Davis, Jonathan Frid, Whoopi Goldberg, John Karlen, William F. Nolan, David Selby, Barbara Steele, Kathryn Leigh Scott, Bob Cobert, and many more.
While he definitely worked outside the horror genre a few times, like writing, producing, and directing the Emmy Award Winning mini-series War and Remembrance (1988-89), he made such an impact with horror fans with his films. And they are still as entertaining now, decades later, as they were then. Kudos to Gregory for helping bring light to this talented man that was use to working in the shadows.
Horror History: Bob Cobert
Bob Cobert
Born Oct. 26th, 1924
If you were a fan of Dan Curtis and his early TV work, then you are well aware of the work of Bob Cobert, even if you don’t recognize the name. He is probably best known for working on the famous Curtis TV series Dark Shadows, that ran from 1967 to 1971. He also worked on the two feature films based on the series, House of Dark Shadows (1970) and Night of Dark Shadows (1971), as well as the 1991 revival. But he also did a ton of different made-for-TV shows in the early ’70s with Curtis. Titles like The Strange Case of Dr. Jekyll and Mr. Hyde (1968), The Night Stalker (1972), The Night Strangler (1973), The Norliss Tapes (1973), Scream of the Wolf (1974), Dracula (1974), Trilogy of Terror (1975), Burnt Offerings (1976), and so many more.
Working outside of the horror genre, he also composed the music for Curtis’ war epics The Winds of War (1983) and War and Remembrance (1988), as well creating his fair share of game show themes!
Cobert’s music had its own unique style that was recognizable, memorable, and always added to what we were watching on screen. Those films and shows would definitely had lost something without had it not been for his music.
Naschy at the Drive-in???

Okay, so I’ve posted many times here about my love of not only the Drive-ins but also of the work of Paul Naschy. So needless to say, when I saw the lineup for the Drive-In Super Monster-Rama at the Riverside Drive-In in Vandergrift, PA, well….let’s just say I was a little excited. They were showing not just one Paul Naschy flick, not two, but THREE! And to push me over the edge even more, they were also showing one of the Blind Dead films! How could this even be possible?


