Norman J. Warren is a perfect example of a filmmaker that does not have a huge filmography but the few films he made are more than enough to be remembered. Warren grew up loving film and started working in the industry before he was 20, and directing his first short film, Fragments in 1965. Three years later, he directed two successful softcore exploitation films, Her Private Hell and Loving Feeling, both in 1968. But it is his horror films that he is best remembered for. In the late 70s, he directed Satan’s Slave (1976), Prey (1977), Terror (1978), and the early 80s, took advantage of the Alien phenomena and directed Inseminoid (1981), and then a nod to the nightmarish slasher sub-genre, gave us Bloody New Year in 1987.
My personal favorite of Warren’s work is Prey, which I can still remember seeing the big box VHS tape of this, under the title Alien Prey that had blood and nudity right on the front cover! But it was more than just the cheap red stuff, he showed that with very little money, but with a good story and a very small but talented cast, you could create a very memorable film.
So it was very sad to hear of his passing. But we know, as horror fans, his films and his memory will be kept alive for along as there are fans of these pictures. Our thoughts go out to his friends and family during this difficult time.
If you have any of the amazing volumes put out by Peveril Publishing, then you know how simply amazing they are. Yes, they are a bit pricy, especially when you’re getting them shipped over here to the US, but they are worth every single penny. So start saving those now because (hopefully) this summer, they will be unleashing the Hammer Vampire Scrapbook!
We lost a great hero of independent cinema today, which unfortunately most fans don’t know. John “Bud” Cardos started his career in the film business back in the ’40s with Hal Roach’s Our Gang, and continued on from there, working in just about every part of the industry. He worked in the stunt department, acting, directing, and so much more. As an actor, he worked a lot with Al Adamson, appearing in films like Blood on Dracula’s Castle and Satan’s Sadist (both in 1969), Five Bloody Graves and Horror of the Blood Monsters (both in 1970), and as a director, he gave us Kingdom of the Spiders (1977), The Dark (1979), and Mutant (1984).
