Duel Soundtrack Review

duelDuel
Released by Intrada
19 Tracks with a total running time of 47:39 min.
Composed and Conducted by Billy Goldenberg

A few years before he made Jaws, Steven Spielberg gave us another beastly predator, one that is much more common than the Great White shark….a semi-truck. In his tele-film Duel, Spielberg created a work of suspense and terror that everyone has felt for a moment every now and then while driving on the highway, thinking that one of these mechanical beast just might be out to destroy you. One of the reasons this film works as well is it does it due to the incredibly tension-building score from Billy Goldenberg.

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Devilish Driving Tunes

Just read that these two soundtracks are getting a release on CD. All I can say is…Wow. Never thought I would ever see the day that someone would put out the score for the 1977 film The Car. I can still remember seeing the TV trailer for this movie, because I couldn’t get anybody to take me to see the actual movie, so the trailer was all I had. But once I finally did get to see it, I just loved it. But now, thanks to Intrada, we’ll get to hear it. I am very excited to see what this score by Leonard Rosenman is going to entail. I can only hope that one track features that mind-jarring horn from the Car.

Also, Intrada is putting out Billy Goldenberg’s score for Duel, one of the best made-for-TV movies ever.

For more information, head over to Intrada’s website HERE.

thecar duel 

Shock Waves Soundtrack Review

shockwavesShock Waves
Released by Howlin’ Wolf Records
29 Tracks, with a total running time of 31:31 mins
Music Composed by Richard Einhorn

I’ve said this many times before, but this is a great time to be a horror fan. And the fact that the Shock Waves original score is available on CD is just one of the reasons that statement is true. I would say that I’ve been waiting for this for decades to come out, but I honestly never thought it would happen. But now, thanks to the amazing people at Howlin’ Wolf Records, we now can enjoy it.

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Soundtrack Review: Cold in July

coldinjulycdCold in July
Released by Milan Records, 2014
16 Tracks with a total running time of 57 min.
Music by Jeff Grace

I listen to a lot of soundtracks. Usually the ones I get to review are good, working really well in the film. But as a stand alone piece of music, most of them lately have felt a little flat. It has been quite a while since I’ve been watching a movie when the score is so strong that I immediately think “Damn…this score is amazing!” Well, it happened with Cold in July. And even stranger, I had forgotten who had worked on this movie, so when I found out the composer was Jeff Grace, it made a lot more sense. You’ll find several of Grace’s works here in our review section, mainly because I’m always impressed with what he creates for the features. No matter the time of film or the content, he always comes through with a great score. Even when the movie itself might not be that great…such as Ti West’s TRIGGER MAN, Grace still created an amazing score.

But let’s talk about this one for Cold in July. Had I been watching this film 20 years ago, I would have sworn that John Carpenter had composed the music. In fact, I would have bet money on it. Now this is not to take any credit away from Grace, but saying that he’s done an incredible job capturing the feel and sound of those early classic Carpenter themes. Not only do they blend so well into the movie, helping creating the tension and suspense, but even listening to it by itself a real joy. It is almost like stepping into an audio time machine. If we had heard this last year, it would have been at the top of my Best Of list for soundtracks. Yes….I think it is that good (as well as the movie too). Using an electronic medium, repetitive notes and themes, he creates an extraordinary soundtrack here, creating a tension and suspense filled score that just oozes mood and atmosphere.

If you are a fan of Grace’s work, then you might already have this or plan on picking it up. But if you’re a fan of the electronic synth scores that Carpenter created back in the ’80s, then you are also going to want to get this one. You’ll love it.