As we make our way to the Monster Bash Conference, where we, along with all the other attendees, will be celebrating Hammer Films with four lovely ladies that appeared in some of their films. Names like Caroline Munro, Martine Beswick, Victoria Vetri, and Pauline Peart, along with a few other interesting guests. You can get all the details by clicking HERE.
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That’s right folks, issue # 51 from one of the longest running horror magazines out there, Little Shoppe of Horrors, is now taking orders for their new issue, which features a stunning cover of Nosferatu (1922). Sure, it’s not a Hammer film, but since there is Robert Eggers’ new version coming out in December, LSoH is taking this opportunity to have their usual in-depth “making of” on the very first adaptation of Stoker’s novel, with the article “The Plague of Nosferatu: The Making of a Vampire” by Rolf Giesen, who has written a couple of books on the subject, The Nosferatu Story (read our review of it HERE) and Golem, Caligari, Nosferatu.
Also, to tie into this, there will be an article entitled “Victims of his Imaginations” – Bram Stoker and an unmade Hammer title.
Then there is a couple of features on the sci-fi/horror film The Damned, as well as a piece on Hammer’s first horror title with “The Making of the Mystery of the Mary Celeste”.
Plus, all the usual goodies that LSoH pages are filled with. You can order your copy now by going to their website HERE.
As a collector in general, it can be pretty tough (and expensive) to keep up with some of the amazing things coming out that you want to add to your collection. Horror soundtracks is one thing that I’m a sucker for. Ever since seeing Jaws and realizing then just how much a great score can have an effect on the viewer, soundtracks have been on my brain. They can take you on a musical journey that transport your brain to the film playing in your head, as well as triggering the memories and feelings you had during certain sequences.
Star Wars was the first soundtrack I ever bought, but more followed. Every time I am working at my computer or reading, I have a soundtrack playing in the background. There are scores that I buy because I remember the score being effective. Then there are others that I simply buy because I can’t believe someone is actually releasing it on CD! I think “who else is going to buy this release besides me?!?!”
Here are some of the titles that have been recently announced for release, most of which I have already pre-ordered!
The Golden Age of Horror Vol. 1
Released from Dragon’s Domain Records, this CD contains scores from Hammer’s 1963 film Paranoiac, and Amicus’ Dr. Terror’s House of Horrors and The Skull, both from 1965. All were composed by Elisabeth Lutyens, who was Britain’s first female feature film composer, so it’s great to see a little attention being given to her!
Retail price is only $17.95, with a total running time of 75:31. If this is anything like their Golden Age of Science Fiction releases, this will not only be a great addition to any collection, but since this is Vol. 1, one can only dream of what might be coming next!
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I know, you’re probably amazed that it has taken me this long to post something about this amazing news. But it’s here at last. Over the weekend, Kino Lober had announced that they would be releasing Paul Naschy’s debut Waldemar Daninsky film, Frankenstein’s Bloody Terror (1968) not only a 4K scan of the 35mm composite internegative, but there apparently it will be in 3D! Now there is no details on if there will be 2 separate versions on the release or what, but I would guess that is what they will do.
For those that don’t know the whole story, this film was originally made and released in 1968, under the title La marca del Hombre Lobo, and it was filmed in 3D. Here in the states, producer Sam Sherman needed a Frankenstein picture to fulfill a contract he had, so he acquired this Naschy film, created an animated prologue that told the story of a Wolf-Stein, and called it Frankenstein’s Bloody Terror. Therefore, it could fit in with a Frankenstein release that he had promised. Even though it had 2 vampires, and 2 werewolves, but not 1 Frankenstein creature! But no matter what, it did bring Naschy here to the states. And while Sherman wanted to release it in the 3D format, it was just too costly to try and make it work, so they pulled the 3D print after a few screenings and just distributed the “flat” version.
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Since I’m on the verge of hitting the big 60 next year and have been a horror film fan most of my life, watching as many different films as possible over those 6 decades, one would think that I’d be close to seeing everything, right! WRONG! Therein lies the beauty of the horror genre, or really cinema in general. If they stopped making movies today, we would still not be able to see all the films out there that we haven’t seen yet. And to prove this, is the latest stunning box set announced by Severin Films today, All Haunts be Ours: A Compendium of Folk Horror Vol. 2.
The first set was amazing enough, especially with the deep diving documentary Woodlands Dark and Days Bewitched, that opened up the doors to so many films. And now, Severin has done it again with volume 2, that features 13 discs, with 24 international folk horror classics! As I mentioned, I’ve been in the game a long time and there were many of these titles that I was not familiar with at all. That is why I never get tired of the horror genre. There is always more to discover.
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Yet another reason why we are so lucky right now. Last year, Indicator released their Mexico Macabre box set which featured 4 incredible titles from the Mexican horror output from the late ’50s and early ’60s, which was a much-needed release for fans who had missed out on the old Casa Nega DVDs. But there were 2 titles missing from that collection that were a must for any fan of this sub-genre. But have no fear because Indicator has announced this amazing double feature that will contain the film that started it all, El Vampiro aka The Vampire (1957), and it’s sequel, El ataúd del vampire aka The Vampire’s Coffin (1958), both starring Germán Robles in the title role, and Abel Salazar as the stand-in for Van Helsing! Both are filled with so much atmosphere you can cut it with a knife. Two perfect examples of the amazing work they were creating back then.
This set will include audio commentaries by star Germán Robles from 2007, as well as interviews with Claudia & Rosa Salazar Arenas about their father, actor and producer Abel Salazar, as well as other interviews with people involved in film fests, horror scholars, and film historians on the Spanish horror genre. The set also comes with a limited edition exclusive 80-page book with new essays Jesús Palacios and David Wilt, archival essays by Eduardo de la Vega Alfaro and Carmen A Serrano, cast interviews, an overview of contemporary critical responses, and film credits
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Over 25 years ago, I met Tom Sueyres (Simmons at the time), through another friend, and we started tape trading. Tom ran Video Holocaust, which soon became Video Junkie, which also became a magazine. Video Junkie’s tag line was that it’s not a hobby, but a way of life. That was not only true of the business and the magazine, but of Tom himself. I don’t know what impressed me more, his knowledge of film, or just his sheer passion for cinema. I know that if wasn’t for Tom, I wouldn’t have gotten started creating and getting Kitley’s Krypt going. He was huge part in getting me on my way, in both running my website, writing in general, and a LOT of much needed advice when it came to basic journalism. Oh yeah, self-editing was a constant topic of conversation between us!
But now Tom is need of some funds due to some severe medical conditions he’s dealing with now and could use any and all help. No matter how much, it all adds up. So back in the days of buying movies that you couldn’t find anywhere else, if you happen to get any from Video Junkie, or even was entertained by the magazine, or any of the rantings he would post on the Video Junkie website, see if you can’t spare a little change to help a friend out. Click on the link to get to the GoFundMe page and read his story. I know we’re all struggling out there, but if you can, help a brother out and let’s keep this very creative mind kicking around for a few more decades. Just click HERE and give what you can.
I know as I get older and slowly move into Old Man Club, which I apparently have been doing for the past two decades, there are times that I never thought I would see the day. See that? That’s something an Old Man would say. But alas, it’s true. Severin Films had already announced their new 5-disc release of Dario Argento’s Opera (1987), featuring so many extras, including a CD of the soundtrack, so that alone was pretty damn amazing. And then came more recent announcement that had me staring at the notice with such a blank stare, as if to think that I should be waking up at any moment.
Years ago, back when I collected VHS tapes, I remember coming across a big box video of The Mummy and the Curse of the Jackals (1969), released by Academy Home Entertainment. Even though it starred John Carradine and Anthony Eisley, with that kind of title, and the fact that I had never heard of it before, I knew I had to add it to the collection. When I sat down with it . . . oof! How can it be a bad movie when you have a mummy AND a werewolf . . . or were-jackal, or something. While the movie is perfect for a Turkey Day marathon, which I did screen in 2016, the print quality wasn’t the greatest. In fact, you could barely see what was going on in some parts.
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Issue # 50 of simply the best magazine devoted to Hammer Studios is about to release their 50th issue. Issue # 1 was published in June of 1972, over 50 years ago. And if you’ve purchased any of their issues, then you know just how packed full of information they are. This one is no different.
With the incredible cover art by Mark Maddox, this issue features in-depth making of The Devil Rides Out by Bruce G. Hallenbeck, called Angel of Death. There are also pieces on Charles Gray, as well as one on special effects artist Michael Stainer-Hutchins, an analysis of Richard Matheson’s screenplay for the film called The Devil in the Details, by Constantine Nasr.
Plus, Mr. Hallenbeck also gives us Fresh Blood, Fresh Brains: The Making of Frankenstein and the Monster from Hell!
Filled out with the other usual content, from book reviews, the Keith Dudley report, and Confessions of a Monster Chick by Pam Murray, this issue will be just as entertaining and engaging as all the rest. I can’t wait! You can order your copy now by clicking HERE.
Fans of Spanish horror are going to love this latest box set from Severin Films. They still just blow me away with the titles they are releasing. This set has 2 films that I’ve never even heard of, and that is coming from a huge fan of Spanish horror! Not to mention the fact that they’ve never been released over here in the states. In fact, 3 out of the 4 titles have never legitimately been released over here! Plus, as usual with Severin’s releases, these are just packed full of extras, from commentaries to interviews, and much more.
PLUS, 3 of the titles are scanned in 4K from original negatives, while the last one is scanned in 2K from the negative. Keep in mind, the last time I saw Cross of the Devil was from about a 10 generation VHS tape. This was a rare title that was written by Paul Naschy and directed by John Gilling. So going from that to a 4K print!?!?! What a time to be alive!
Here’s a breakdown of the films and what extras each of them has:
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