If you’re a collector of film reference books, you just might recognize the name Philip J. Riley. He was a man that was determined to help keep the facts and memories of old classic monster films alive and well by releasing some amazing books over the last few decades. Starting in the late ’80s, he started to release the Universal Filmscripts Series Classic Horror Films, which he edited. Along with the help of such scholars as Gregory William Mank and Forrest J. Ackerman, fans got to not only read the original shooting script, but see original newspaper clippings, different news stories, and a ton of other info about the making of the film. He went through most all the Universal Classics and then started a different sereies on films that never came to be, based on original scripts that were found, such as Robert Florey’s version of Frankenstein.
For his constant dedication to preserving the information about these great films, I have always held him in high regard. He knew and understood the importance of what he was doing, not just for his own sake, but for all the fans out there. I take my hat off to you, Sir.
I have several of Riley’s editions in my library, which I turn to anytime I doing research on any of the Universal Monsters. And I know I will be adding more of them in the years go come. Because of the amazing amount of work you left us fans with, you will surely be missed, but never forgotten. Thank you.
Okay, let me just say that I really hate when someone asks me for my top ten horror films, simply because it is pretty much impossible for me to narrow down such a huge list of films that I love to just ten titles. This list may change and change again, depending on my mood, the time of day, the weather, and any other number of factors. That being said, one title that would always be on that list, no matter what, would be John Carpenter’s version of the John W. Campbell’s story, Who Goes There?….more commonly known as simply The Thing.





Yeah, I know…pretty bad joke. But I have to say that it amazes me more and more the soundtrack titles that are getting released these days. Some of the most obscure and cult titles are getting a grand treatment now, thanks to companies like Beat Records, who has chosen to release Carlo Maria Cordio’s score for Joe D’Amato’s Rosso Sangue, which is also known as Anthropophagus 2, Monster Hunter, Horrible, and about a dozen other titles.