Andrzej Zulawski – Rest in Peace

andrzej zulawski ripIt is one thing to be a director that makes a film, even a good one. But it takes a very different kind of director to make a film that brings out such a diverse and strong reaction. Like Polish director Andrzej Zulawski. While he only made a few films in his 40+ year career, all one needs to do is look at his 1981 film Possession to see what I’m talking about. Sure, you might not understand what is going on, but it is a powerful one none the less. Made during a bitter divorce, director Zulawski brought those intense emotions to life on the screen with this bizarre tale.

Zulawski passed away two days ago at the age of 75, after a long battle with cancer.

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Krypt is Ad Free, Once Again!

One of the things that I always promoted and was very proud of at the Krypt was there wasn’t going to be any ads on the site. I wanted your visit here to be free of anything trying to sell you something. Plus, I refused to jump on the bandwagon like so many other sites and have it filled with more ad banners than actual content.

But coming over to WordPress, I hadn’t realized that with the free version, that ads would be showing up. I apologize for not realizing that earlier, but that has changed. And as of a today, the Krypt is ad-free once again. Just a little reminder that when you come here, the only thing we want to entice you with is to Discover the Horror!

Interview: Caroline Munro

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Most people know Caroline Munro as either a Bond Girl or the work she did with Hammer Studios. But Caroline has worked all over the world, with many great and talented people. So while we briefly asked her about Hammer, we tried to venture more into the other countries where she worked. This interview was conducted at that Cinema Wasteland show, in April of 2007. We especially want to thank Caroline for taking the time to talk to us.

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Has It Really Been a Year?

Krypt stairs.jpgActually, it has. Last February is when we moved the Krypt to this new location, saying goodbye to the Front Page based website to the Word Press blog format. There are times when I miss the old way, but I have to admit this new format is much easier to work with. I know there is still a ton of stuff I still need to import from the old site, like reviews, interviews, etc., which I’ve slowly been doing. It is a long process, but I’m working through it.

But I guess the real question is up to you, the readers and followers of the Krypt. After this last year of the new layout and format, what are your thoughts? Better? Worse? Easier to navigate and find stuff? Or harder? I would love to hear any and all feedback, be it good or bad.

So please drop me a line when you can (email: jon@kitleyskrypt.com) and let me know your thoughts.

Here’s to another year!

Mystery Photo 2-15

Since I had to work yesterday, when I got up this morning, I had no concept of what day it was, which is why this wasn’t posted first thing this morning. Or at least, that is the excuse I’m using. But none the less, it is still Monday, so we have new pic. But of course, before we get to it, let’s go over last week’s photo. It was from the 1971 film The Nightcomers, which was a disurbing prequel to the famous Henry James’ novel, Turn of the Screw. We only got one correct answer sent in, and that was from Hoby Abernathy. Well done, sir!

Okay, let’s get to this week’s photo. Might be a little easier…might be.

Please remember not to post your answers here, but send us an email to jon@kitleyskrypt.com. Good Luck!

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Horror History – Edwige Fenech

edwigefenech.jpgEdwige Fenech
Born Dec. 24th, 1948

If you have watched more than a handful of Italian giallos, then chances are you’ve seen Edwige Fenech in action. And she is one that is hard to forget. Born in France, she started her career in beauty contests, eventually moving into modeling. In 1967, she made her film debut in the comedy All Mad About Him. She continued to work making films, mostly comedies, in France, Germany, and Italy. Her first real thriller was Top Sensation (1969), that co-starred another Italian sex symbol Rosalba Neri. She appeared in Mario Bava’s 5 Dolls for an August Moon (1970), then the following year starred in her first film with director Sergio Martino, the 1971 film The Strange Vice of Mr.s Wardh (aka Blade of the Ripper). She would go on to star in quite a few giallos in the next few years, many of them for Martino, titles such as All the Colors of the Dark (1972), The Case of the Bloody Iris (1972), Your Vice is Locked Room and Only I Have the Key (1972), and even with director Ruggero Deodato in Phantom of Death (1988).

In the ’80s, she became a television personality, hosting a talk show for a while. After a while, she moved into movie producing, which she  has been doing since. She even co-produced the 2004 version of The Merchant of Venice starring Al Pacino.

Seeing Fenech’s name in any movie was always an extra bonus. Such a great talent and just beautiful to watch, she is one of the reasons that Italian giallos are still as popular these days as they were back then. Of course, it might have also helped since she was usually in some form of undress during the movie….a lot.

Interview: David Schmoeller

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If you are a fan of Full Moon’s Pupptet Master series, then you hopefully should know that director David Schmoeller was the guy that started it all. But he also made a few other great genre pic, including getting to work with the infamous Klaus Kinski. This interview was conducted at the Cinema Wasteland show on March 31st, 2012.

Kitley’s Krypt: What made you decide to get into filmmaking?

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Horror History – Jack Asher

asherJack Asher
Born Mar. 29th, 1916 – Died Apr. 1991

One of thing that Hammer films are most known for are the way they look, especially their early Gothic horror titles that really catapulted them into popularity.  While the talents on the screen of Peter Cushing, Christopher Lee, and the rest of the stellar actors used, and even the talented directors and writers, one of the reasons these pictures looked like they did was because of the cameraman, Jack Asher.

He started in the film business as something as simple as the guy who was to open and close the door while filming was being done.  Eventually, he was asked to join the camera crew by Roy Kallino, at the bottom, learning the basics like loading the film into the magazines and working his way up, to eventually becoming a camera operator himself.  He worked on some of Hammer’s early color films and is definitely party of the reasons those films look like they did.  He worked on CURSE OF FRANKENSTEIN, HORROR OF Dracula, Revenge of Frankenstein, The Man Who Could Cheat Death, Brides of Dracula, The Mummy, as well as a few of their non-horror titles.

He worked for Hammer for less than 10 years before basically being let go because Hammer deemed him too slow for their fast-paced shooting schedules.  Damn shame if you ask me.

Do You Have Jose Larraz’s Symptoms?

symptoms posterWhile José Ramón Larraz is most known for his 1974 blood thirsty picture Vampyres, he also made another film that same year (actually a few in 1974) that starred the daughter of the immortal Donald Pleasence, Angela, who gives us a very creepy performance here. I don’t believe this film has never gotten an actual video release here in the states other than in the bootleg market, but it is one that should be seen, if only because of Pleasence’s performance. The film has such a strange and eerie look and quality to it, with a good and slow burn, but worth seeing.

And now, thanks to Mondo Macabro, you will have that chance. They will be releasing this film this spring that will have plenty of extras, besides the film being fully restored from the original negative. The extras include a documentary on Larraz by Celia Novis called On Vampyres and Other Symptoms, the 1999 entry from the show Eurotika series that was on Larraz, a new interview with actresses Angela Pleasence and Lorna Heilbron, and editor Brian Smedley-Aston. Continue reading